Thursday, 14 July 2016

Relationships in the aspects



     The Ruminator and its Relationships

TAC Codon - Nine Star Ki numbers 1/3 … Mercury and Jupiter...... Direction East/West
...Musical notes C F B... Amino Acid Tyrosine............ TGC Codon ...Nine Star Ki
numbers 1/7... Directions NE/SW...Musical notes C F# B... Amino Acid Cysteine.........there is a half note of difference between TAC
and TGC ….TGC raises the tone 1/2 a note.

ACT codon - Nine Star Ki numbers 3/8... Directions South/North... Musical notes C# G G#... Amino Acid Threonine... GCT Codon - Nine Star Ki numbers 3/9... Direction NE/SW... Musical Notes D G G#... Amino Acid Alanine... there is a half
note of difference between ACT and GCT …..GCT raises the tone 1/2 a note.

So lets us take a look at these two pairings within the Ruminator aspects.

What other relationships to other codons do these shapes have.......

TAC Hexagram 40 Nine star Ki 1/3 in the Crystals connects to CTA Hex 39 8/1...
TAC in a string or ladder of DNA would pair with ATG 9/1 HEX 37...... if TAC was
turned into RNA it would connect with CGA 4/1 Hex 48 although in truth it would
just read UAC..........

TGC Hex 47 1/7 in the crystals would connect with CGA 4/1 Hex 48 but in the
string or ladder of DNA it would partner with ACG 9/8 Hex 22....in RNA TGC
becomes CTA 2/7 although in truth it would appear as UGC.

RNA connections are created by TGAC moving anti clockwise one letter and then
writing the I Ching lines as 1/2 3/4 5/6 instead of as 1/4 2/5 and 3/6 it is a work in
progress but I mention it merely as another potential connection.

Codons Nine Star Ki Hexagram Directions

TAC 1/3 40 E/W
CTA 8/1 39 E/W
ATG 9/1 37 N/S
CGA 4/1 48 NE/SW Written as codon
TTA 8/7 31 NW/SE Written as 9 star ki
TGC 1/7 47 NE/SW
CGA 4/1 48 NE/SW
ACG 9/8 22 NW/SE
CTA 8/1 39 E/W Written as codon
TTC 2/7 45 S/N Written as 9 star ki

So here we have one Ruminator pattern TAC/TGC and yet many other connections....
many ways to make errors in the coding of DNA.

Note how for TAC there is a connection to TGC but also to other codes in the TGC
relationships chart........TAC, CTA, CGA, also appear.

The same ruling can be said to be a connection between TGC and TAC......TGC, CTA
TAC and CGA ….............


TAC is 1/3 in 9 star ki....it also has a connection with 8/1 and 4/1

TGC is 1/7 in 9 star ki …..it also has a connection with 8/1 and 4/1

Musically....

TAC C F B *
CTA D# E A ** +1.1/2 tones...no change – 1 tone = 1/2 tone difference
as is usual in the Ruminator

TGC C F# B *
CGA D# F# A ** +1.1/2 tones... no change – 1 tone = 1/2 tone difference
as is usual in the Ruminator

So these four appear to be the most connected in relationship.........so the most
obvious connections..........the codon itself and its shadow self ….

TAC and CTA connect through the crystals and matching face and rear view
Hexagrams and yet CTA is TGC by moving one turn anti clockwise on the DNA
clock.
C
T
A
G

Yet if we put TAC with TGC we raise the tone by 1/2 note but TAC and CGA
is plus 3 tones of 1.1/2 notes. TAC with CTA is raised by 1/2 a note. So CGA
4/1 does not use just the 1/2 tone connection but if it was seen as TTA it would
still show a difference of 1.1/2 tones so not true to the form of the Ruminators
half a note.

In conclusion the movement anticlockwise of TAC creates CGA which are both
rear views of the Hexagrams CGA rear view of TGC and TAC rear view of CTA
so they do have some kind of connection although musically TAC CTA + 3 – 1 – 2
so neither raised nor lowered.......TGC and CGA is minus 1 note....so musically
different. The only sameness comes from the 1/2 note increase between the pairings
in the Ruminator shapes...............so it could be said that TAC and TCG pairing up
could be because they have their shadow Hexagrams in common I don't know right
 now if that applies to all codes but its an interesting connection for the moment. x

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