Saturday, 29 August 2026

The 150* Quincunx and 210* Inconjunct Aspects in DNA Codons

 

Here we see the 150* Quincunx and 210* Inconjunct aspects in a musical Octave that can appear in a DNA Codon Pattern. The codons that contain these aspects are as follows….I have decided to call the 150* aspect which is 5 signs away the Quincunx and the 210* aspect 7 signs away the Inconjunct as it makes things clearer although there is no doubt they need to be together. . . 

C to F…..TAC - TAT - TAA - TAG  …..these four DNA Codons contain the 150* aspect C to F

Or Aries to Virgo

C to G…..     210* aspect Inconjunct….. TCC - TCT - TCA - TCG…..these four DNA Codons contain the 210* aspect C to G or Aries to Scorpio

C# to F#…..AGC - AGT - AGA - AGG ….. these four DNA Codons contain the 150* aspect C# to F# 

Or Taurus to Libra

D to G….. GCC - GCT - GCA - GCG….. these four DNA Codons contain the 150* aspect D to G

Or Gemini to Scorpio

E to B….. 210* aspect Inconjunct…..CTC - TTC - ATC - GTC…..these four DNA Codons contain the 150* aspect E to B or Leo to Pisces

E to A …..CTA - TTA - ATA - GTA….. these four DNA Codons contain the 150* aspect E to A or

Leo to Capricorn

F# to B…..CGC - TGC - AGC - GGC - these four DNA Codons contain the 150* aspect for F# to B or 

Libra to Pisces

F to A#….. CAG - TAG - AAG - GAC…..these four DNA Codons contain the 150* aspect for F to A#

Or Virgo to Aquarius

The 150 degree aspect is called a Perfect 4th and the 210 degree aspect a perfect 5th. 

30 codons in total but 32 listings as AGC and TAG are listed twice x Enjoy your thinking x 


The 120* or Trine Aspect in DNA Codons

 

Here we see the lines of the 120* aspect or Major 3rd in a musical Octave that can appear in a DNA Codon. The codons that contain a 120* are as follows…..

C to E….. TTT - TTC - TTA - TTG …..these four codons contain a major 3rd C to E

Or Aries to Leo

C# to F….. AAA - AAC - AAT - AAG ….. these four codons contain a major 3rd C# to F

Or Taurus to Virgo

D to F#….. GGG - GGC - GGA - GGA….. these four codons contain a major 3rd D to F#m

Or Gemini to Libra

D# to G….. CCC - CCT - CCA - CCG ….. these four codons contain a major 3rd D# to G

Or Cancer to Scorpio

E to G#….. TTT - CTT - ATT - GTT ….. these four codons contain a major 3rd E to G#

Or Leo to Sagittarius

F# to A#…..GGG - CGG - TGG - AGG…..these four codons contain a major 3rd F# to A#

Or Libra to Aquarius 

F to A…..AAA - CAA - TAA - GAA ….. these four codons contain a major 3rd F to A

Or Virgo to Capricorn

G to B….. CCC - TCC - ACC - GCC …..these four codons contain a major 3rd G to B

Or Scorpio to Pisces

32 codons in total. . . Using the 120* aspect called The Trine 4 semitones apart. Enjoy your thinking. X 




The 90* or Square Aspect in DNA Codons

 

Here we see the lines of the 90* aspect of Square also known as a Minor 3rd and the patterns shown can appear in a DNA Codon as follows…..

C# to E….. ATC - ATT - ATA - ATG ….. these four DNA Codons contain the minor 3rd C# to E

Or Taurus to Leo

D to F…..GAC - GAT - GAA - GAG - GGA……these five DNA Codons contain the minor 3rd D to F

Or Gemini to Virgo 

D# to F#….. CGC - CGT - CGA - CGG - ….. these five DNA Codons contain the minor 3rd D# to F#

Or Cancer to Libra

F to G#….. CAT - TAT - AAT - GAT - These four DNA Codons contain the minor 3rd F to G#

Or Virgo to Sagittarius

G to A# ….. CCG - TCG - GCG - these three DNA Codons contain the minor 3rd G to A#

Or Scorpio to Aquarius

So these are the DNA Codons which create a 90* aspect or square which is 3 semitones apart and a minor 3rd. Enjoy your thinking. X 



The Sextile 60* aspect in DNA

 

Here we see the 60* aspect of sextile in a musical octave than can appear in DNA patterns. The codons that contain 60* aspects are as follows…..

D to E ….. GTC - GTT - GTA - GTG These four codons contain the Sextile D to E
Or Gemini to Leo

D# to F …..CGT - CAC - CAA - CAG These four codons contain the Sextile F# to F
Or Cancer to Virgo

F# to G#….. CGT - TGT - AGT - GGT These four codons contain the Sextile F# to G#
Or Libra to Sagittarius 

G to A….. CCA - TCA - ACA - GCA These four codons contain the Sextile G to A
Or Scorpio to Capricorn

So the DNA in Music connected to the Sextile the above codons are the only ones that create a sextile 60*  or Major 2nd. Enjoy your thinking. 



The Semisextiles in DNA Codons

 

Here we see the 30* aspects or semisextiles that appear in DNA within one octave. Those codons are as follows….

D# to E….. CTC - CTT - CTA - CTG …..these four DNA Codons contain a semisextile D# to E 

Or Cancer to Leo.

G to G#….. CCT - TCT - ACT - GCT….. these four codons contain a sexisextile G to G#

Or Scorpio to Sagittarius.

So from a DNA Music point of view only two musical notes D# to E and G to G# create a semisextile that can fit into a DNA Codon. The semisextile is one semitone apart and are called a Minor 2nd. Enjoy your thinking. X 

The Tritones in DNA Codons

 

Here we see the lines or 180* oppositions in a musical Octave that can appear in a DNA Pattern. The codons that contain the four tritones are as follows…..

F to B …. CAC - TAC - AAC - GAC….. these four DNA Codons contain the Tritone F to B 
or Virgo to Pisces 

E to A#…..CTG - TTG - ATG - GTG ….. these four DNA Codons contain the Tritone E to A#
Or Leo to Aquarius

C to F#….. TGC - TGA - TGT - TGG ….. these four DNA Codons contain the Tritone C to F#
Or Aries to Libra

C# to G ….. ACC - ACA - ACT - ACG….. these four DNA Codons contain the Tritone C# to G
Or Taurus to Scorpio

It might be worth noting that Earth and Fire are below ground and Air and Water are above, it may mean nothing but as you will have realised by now observation is what it’s all about. 

So if its DNA Codons in Music that interests you Gemini/air, Cancer/water, Sagittarius/Fire and Capricorn/earth are not written into the music of DNA although in astrology they still create 180* oppositions. A tritone is 6 semitones apart. Enjoy your thinking.x 

Friday, 28 August 2026

Astrology and The Aspect Shapes

 Here we look at the aspects (or musical points) of an astrology chart…..

150* 210* aspects are the only ones that can start out from the beginning point of the AC 1st House of Aries the first line is 210* after that all others are 150*’s but you can draw one continuous line from beginning to end…..


This is the 180* and 210* with 150* aspects note the green can be one continuous line but this does not occur with any other aspect. Also in making the 150 aspects the centre inner circle creates a 12 sided shape of 30* each thus the outer 150/210 also creates its own smaller aspect of 30*. Red 180* is completely disconnected. 

Now we have added the 120* aspects…


….the 90* aspects…


….the 60* aspects…

And finally the 30* aspect showing 30* around the outer edge and also the inner circle……no wonder they are communicators. X 


Thursday, 27 August 2026

Newtons Cradle of Nine Star Ki

 

Here we see an example of Newtons Cradle showing all numbers 1 to 9 every reaction has an equal and opposite reaction. So when I lift one it will work with the number 9 and so on. 

1 - 9 ….. 2 - 8 ….. 3 - 7 ….. 4 - 6 ….. 5 hmmm I wonder………it has no opposite partner. 

In Nine star ki these numbers are place opposite to each other on the Bagua.

                    4    9    2

                    3    5    7

                    8    1    6

Now someone making this cradle would not make a number 5 and as we can see, or not see it at the centre hidden from prying eyes. 

When we stamp our feet on the ground does the Earth push back……..when we hit someone they hit us back and so on……..perhaps going gently as we pass is the key and then push me pull me can be kept under better control. 

No matter which number we pull outward the effect is felt by all the numbers in one way or another. Gently gently as we go for a more peaceful life. X 

Wednesday, 26 August 2026

Music and Astrological Aspects

 

Here we see the lines and aspects of both musical and astrology. With DNA this is the max a line can go to and create three letters It can start on Note C and move to note G but thats the max. Lets take a look at how it is for each of the aspects lines. 

30* …

30* or Minor 2nd semisextile  just move around the outside of the chart like a walk around the garden in a circular manner never moving into the centre areas.  12 x 30*

60*…

Here we look at the 60* aspect or Major 2nd sextile it too tends to stick around the outer edges. 6 x 60*.

90* …

So the 90* square aspect of the minor 3rd sticks to the outsides and has no other contact other than within its own square. 4 x 90* 

120* …


The 120* trine aspect is getting ever close to the centre but still each triangle stands alone and does not connect to any other grand trine. 4 x 120 x 120 x 120 Grand Trines in all elements. 

150* and 210* Inconjunct or Quincunx aspects …
150* - 210* Quincunx are both perfect 4ths or perfect 5ths. We can create 24 lines from the aspects whilst at the same time creating the 12 x 30* lines again at its centre. We see that if we start at C musical note or Aries we can produce one single line that moves between all of these aspects until it returns to C. Very heavily connected which is perfect for a communicator. The pattern has moved very close to the centre now but notice how it also reproduces the pattern for the 12 x 30* aspects at its centre showing us 30 - 150 - 210 all have a connection other than being green lines in a chart. 

Finally The Tritone or 180* aspect…

Maybe the tritone makes such a sad sound because it is merely shell like in its appearance. Nothing outstanding to see her except the actually division of a chart into 12 sections which creates all birth charts from scratch. There is no single line here that connects one line to another except they all cross over each other at the centre creating a red dot which seems to pulsate when you stare at it. 

So here we have a little more data re musical and astrological connections. Enjoy your thinking. X 


Tuesday, 25 August 2026

Variations on a Theme of Music and Astrology


Here we see an octave on the piano which is made up of 12 notes or tones as th Astrology chart is also made up of 12 birth signs I feel they have a connection……perhaps of my own making but so many things partner together you cannot help but see it. The top section shows how TAGC repeats three times across the keys and also around a birth chart. The second section shows the octave as a musical keyboard. The third section as astrological birth signs. The last one is showing the houses of a birth chart. Each of the above is showing a measure of how far it is from one point to another now we see below another way those are measured…


The first measure is 30* from T to A or Aries to Taurus or 1st to 2nd house it would get a bit confusing to write it that way so I will break it down below. Obviously the count of the notes determines the starting position so they vary. 

1st house Aries - T - Fire - 30* to Taurus - A - Earth - Minor 2nd - A minor second is very tense, clashing and tight sounding. It is the smallest measure. A sharp vibrations lacks rest and makes you feel you need to push forward or back to resolve the tension. Puts you on edge in horror films like Jaws……tense and suspenfilled music. As they are so close together they vibrate each other. It can feel a little menacing. Frequency ration not fixed but around 16/15 (1.0667).  Astrologically it is a space called a semisextile 30* aspect associated with the colour green, said to be awkward, frictional and unfamiliar. Not consider a major aspect (minor) two signs or elements next to each other Fire and Earth which don’t have much in common. They find it hard to understand each other. Like your neighbour is classical and you are a hippy it’s hard to find common ground and you need to adjust to each other to avoid friction. As you need to find ways to resolve your difference it can become a great aspect for problem solving. So a semi sextile and a minor 2nd seem to have much in common. So far so good.

1st house Aries - T - Fire - 60* - to 3rd House Gemini G -  Major 2nd - 2 semitones apart - this is mildly tense and a bit buzzy. Sounds ordinary and familiar, natural and stable. It is like a shimmery friction rather than a harsh one. Finds it easy to step up or down the scale. Frequency 9.8 (1.125) In astrology it makes a 60* Blue angle from Fire to Air in this case which are compatible with each other. A soft, positive aspect which brings ease, a natural flow and an ability for creativity. Its not the strongest so requires you to make the effort to participate with what you’re trying to create. Hidden talents and strengths a sense of co-operation between different areas. It’s fun to try new things with this energy around. 

1st House Aries - T - Fire - 90* - to Cancer 4th house - Water - Minor 3rd - (3 semitones apart) - has a warm but darker inner quality, a bit sad and melancholy or moody and mysterious. Brings out the blues with a depth of sadness, longing or soulful tension. Frequency ratio 6.5 (1.2) In astrology the 90* red aspect, fire and water and not compatible as water destroys fire. So difficulties here. A hard aspect creating friction, tension and inner conflict. Powerful tool though for personal growth and achievement. Red 90* energy gets things done. Can be ovcr assertive at times and intense power which can be put to good use. Tension and scattered energies cause tensions. Hard work is required to resolve the tension. 

1st house Aries T - Fire - 120* - to T - Leo - Fire - 5th house - Major 3rd - (4 semitones apart) - a bright, happy, sound sweet to the ear. Joyful and bright a key to making happy music together. Frequency 5.4 (1.2599) In astrology it is the 120* trine aspect blue - creates an effortless flow of positive energy. Both elements the same so they support each other, natural gift, hidden blessings, work without any struggle at all. Lack of tension can sometimes lead to complacency as it is just too easy. Confident, inspirational, very grounding. Hard work to release tension but this easy energy needs to be worked so it doesn’t just fade away and be wasted. 

1st House T - Aries - Fire - 150* to A - Virgo - 6th house - Earth - A perfect 4th (5 semitones) a bold, open sound with a suspended quality that sounds like a hopeful lift or an unanswered question. Frequency 4.3 (1.333) It can feel tense or restless but has a clear ring to it. That restless feeling cann leave you unstable. That said it is viewed as a pure divine ration of timeless character. In astrology the 150* Quincunx green energy. In this situation it is fire and earth not compatible elements. I love that this aspect is sometimes called the finger of God or a Yod. It can feel awkward and in need of constant adjustment, like something needs to be done. The signs do not understand each other and this angle does not make it easy to see either sides opinion. Like they are speaking another language. It can be hard work leading to exhaustion. Problem solving only to discover another thing that needs adjustment. Said to be a path for growth potential….now that does give me tension. 

1st House - T - Aries - Fire - 180* to G - Libra - Air 7th house. The Tritone - (6 semitones) this one sounds unstable, dissonant, eerie, edgy, as though something has been left unresolved, a strong pull for the ear to want to hear something more pleasant. It divides an octave in half. Known as the devils interval. Medieval church musicians called it diabolus and avoided it whenever possible because it sounded so harsh and unsettling. When you hear a tritone you beg it to move on back or forward just move on to a more calm consonant chord. Used in heavy metal music and in movies to sound unstable, bold and full of suspense. Dread and fear come to mind. The church actually banned the use of the Tritone at one time. Frequency 2/1 (1.414) can vary. In astrology the 180* or opposition aspect is associated with the colour red. Dividing a birth chart across its centre. In this case Fire and Air which sitting opposite each other in a chart are actually quite complimentary to each other. A push me pull me energy here. With this there are two different viewpoints and you will fight to project your opinion forward. This is a hard aspect the most difficult of them all. Because the elements have something in common with work you can come to a shared opinion leading to your own self awareness. Quit the drama and communication comes to mind. Compromise and a sense of co-operation is required to bring this back to balance and harmony.  It may be a clash of energies but harmony does return eventually. 

1st house - T - Aries - Fire - 210* to C Scorpio Water 8th house…….the Perfect 5th….(7 semitones) sounds stable, open, strong, hollow and blends smoothly. Feels restful to the ear. Grand and Bright. Frequency 3:2 (1.5) In Astrology the 210* aspect appears to be the same as the 150* aspect and yet one makes a perfect 4th and this a perfect 5th so there have to be differences. The description is not unlike the 150* but we don’t have the unanswered question here more likely it will be a transformation, questions no longer need answering and change will come. Being the house of Scorpio that might well be in many different ways. The 150* is more about health and perhaps the 210* is whether you made it, or have made changes to improve things. 

All frequencies will depend on the starter note. These variations have all started from Aries T The 1st House or musical note C and spread outwards but obviously they can start from any position. Musically its one note or the other but astrologically elements, houses, signs, planets all have an impact on the result.

So having compared music and astrology I have to say I still feel a strong connection between them and the musical sound description fits well with the aspect degrees and how they might both make you feel. Enjoy your thinking. X