The I Ching Hexagrams and DNA Codons with errors from the usual Rule Book

 

Here we see a set of 64 DNA Codons……..T is orange…G is Yellow… A is Green… C is Blue… T and A pair up and C and G pair up. 

They sit together here as pairs Hex 1 all yellow GGG 6/6 has all Blue CCC Hex 2 - 2/2 sitting on top of it ……. Rule here lower yellow moves diagonally across the top becoming its opposite upper Blue. When all of a hexagram is yellow or blue combinations they swop to each other as they move to the top. Yellow becoming Blue or vice versa. 

The next pair are ATC Hex 3 sitting below CAT Hex 4. The rule here is T becomes A and A becomes T diagonally but C remains unchanged. 

The next pair AGA Hex 5 sits below Hex 6 TGT and again T becomes A and A becomes T diagonally but yellow remains unchanged.

So the rules 1…..C and G swop each other out only if the whole codon is blue and yellow combinations. 2….. when T or A appear in a codon they swop to each other diagonally. 3….. If T or A appear in a codon with C or G then C and G remain unchanged. 

So follow these rules and everything will work out well. The Odd number is always at the bottom of the Hexagram shape and the even number at the top. So no problems repeating this pattern until you come to Hexagrams 27 and 28. Marked with a little heart. A blip in the rule book for hexagrams. Move on then until you come to the next * Hexagrams 51/52….. then Hexagrams 57/58 and finally Hexagrams 61/62. So four little hearts showing the Hexagrams that do not conform to all of the rules for the I Ching in DNA Codons. 

Hex 27/8 ACT below with TGA on top instead of the usual rules A and T have not changed but the C at the centre has become a G that does not conform. 

Hex 61/2 AGT below with TCA on top instead of the usual rules A and T have not changed but the G at the centre has become a C that does not conform. 

These two sets of hexagrams have the same problem. 

Hex 51/2 GCC 3/3 below with CCG 8/8 above this is not changing at all just moving the same letter from bottom to the top which does not conform. 

Hex 57/8 CGG 4/4 below with GGC 7/7 above this is not changing at all just moving the same letter from bottom to the top which does not conform. 

These two sets of hexagrams have the same problem. 

Hex 27 and Hex 28….

Hex 28 -  Nine Star Ki 4/7 - (screaming out to be paired with 7/4 AGT) Music C F# A -  DNA Codon TGA 

Hex 27 - Nine Star Ki 3/8 - (screaming out to be paired with 8/3 TCA) Music C# G G# - DNA Codon ACT

On the left we see Hexagrams 27 and 28 together on the right we see how if they followed the rules they would look. We see ACT creates another ACT on top which of course wont do. In Nine Star Ki 3 and 8 like to be paired and 4 with 7 so again this pair are not happy in either letters or numbers. 

Let’s look at the other similar problem with Hexagrams 61/2. 

Hex 61 - Nine Star Ki is 7/4 - Music C# F# G# -  DNA Codon AGT

Hex 62 - Nine Star Ki is 8/3 - Music C G A - DNA Codon TCA 

Notice how in the error they create sides which are the same colour and of course this would not happen if they followed the rules. Again they are creating themselves. So perhaps someone in charge of DNA came along and said swop the Hats on top……so that AGT sat with TCA and ACT sits with TGA. 

These four Hexagrams have had to adapt in order not to produce only themselves. So now they do not match with DNA Letters or Nine Star Ki numbers but the repetition problem has been solves. 

The same changes need to be made to the four Hexagrams connected only to C or G letters…….. Hex 51/2 GCC 3/3 below with CCG 8/8 above this is not changing at all just moving the same letter from bottom to the top which does not conform. 

Hex 57/8 CGG 4/4 below with GGC 7/7 above this is not changing at all just moving the same letter from bottom to the top which does not conform. 

With these four problem Codons the letters are wrong but the numbers are actually right here so maybe its not as much of a problem as the other four above.

So 8 Hexagrams with rule breakers problems finding ways to resolves them lets hope it doesn’t cause other problems down the line. Enjoy your thinking. X 

Patterns from our Codons

 The ins and outs of family life as each codon

is drawing a line between letters e.g. T to G to C and then T in the next octave to G to C and then back to T each codon creating a different shape……as unique as we are…… is rather uniform with CCT creating a very nice curvaceous pattern. Enjoy your thinking. X

Piano Keyboard and DNA Codons

 Here we have a piano keyboard coloured in the Letters of DNA. Red for T Green for A Yellow for G and Blue for C it puzzles me why there is no black key after the second T or after the Final C as it moves into the next octave. Apparently the monks that created those sharp keys centuries ago felt they were not required I didn’t know that until I had spent some time wondering about it and then someone mentioned piano hinges and I thought they would be perfect to split the keyboard at these missing black notes. The results are down below two keyboards diagonally connected. Parts vertical other parts horizontal. 

The dot at the centre is the light point where all lines cross…….the cross contains the vertical and horizontal parts and the cross the missing black keys. Parts are above the horizon and others below….many things to think about here and with two keyboards we can now move into the next octave easily. We know a DNA Codon needs to move into the next codon to form its triangle shape and complete the codon now that is possible. 

Variations on the way TGC moves to create a full triangular aspect pattern. Enjoy your thinking x 

The Aspect Shapes as One Continuous Line

Those Marked * are the actual aspect shapes - 8 in all and each can be turned around to create all the other aspect shapes………same shape different position…..

Above we have the Magician, Thinker and Teacher aspects top two just blue and green lines but the Teacher has a little red added to it. 

 Above we have the all red Worker and the red and green Ruminator, below we have the Grand Trine all blue. Below that we have the Alternator a red and blue combination. Finally we have the Lecturer. 
 

Family life as a continuous line

I have drawn these with the lines getting thinner the closer to centre they become and a slight line along the edges of the colour changes to define it a little more. Family Life father has a lot of blue and also green, the mother has green but also red, the child has completely red……..you can see how the balance of energies works in this house. Enjoy your thinking x

More Examoples of Life in One Continuous Line

 

Another example of life in one continuous line…….ACG The Worker, TGC The Ruminator and AAA The Grand Trine……..all making very psychedelic patterns. I cannot help but feel the doorway entrance….or en - trance in the AAA Grand Trine pattern …….(en means within)….

Enjoy your thinking. X  

The Unfolding of Life in The Aspect Shapes of DNA

 We learned the other day that the only way to complete the triangle of an aspect shape is to move into another octave as we can see above. The Ruminator triangle aspect shape for TGC is shown above T to G to C but that is only two lines you have to complete the triangle by drawing another line to the Musical note C in the next octave. Now you have a complete triangle but not within the same 12 part circle you would naturally draw that shape into. We see below the shapes it makes when continuing into the next octave and creating yet another smaller TGC and so on into infinity. 

Here we see the pattern created something like a harp here as The Ruminator is quite a small triangle. Notice below the rose because this ever spiralling flower also creates the shapes required to continue into infinity. 

Here we see the Ruminator for TGC on top but when opened out it is like folds of Ruminators into infinity once again………Life literally does unfold in front of us. Another variation below of GAT 7/9.  Enjoy your thinking. X 

Aspects in Time 30 to 210* Making a Happy Tune

Here we have the TGC version on a piano beginning to end to beginning in the next octave……

Here we see the closed circle version of the 12 part astrology chart 12 sections of 30* and yet we now find in finishing that final line of an Aspect triangular shape we have to move into a new section of more than 12 parts of a chart. In this example TCC T Aries moves 210* to G Scorpio and G Scorpio moves 150* to C Pisces no problem but Pisces cannot complete the triangle until it returns to T in the next octave musically or circle astrologically. In moving into a new Octave it creates a new life starting over again from T to C to C and so on for as many lives it is deemed necessary. So the circle becomes a 3D spiral and the octave expands each time into the next and in doing so doubles its frequency as you have done this before and are therefore more evolved. So once we reach C in the circle it requires a new destination and starts over. In the Piano keys version linear progression creates the same evolved lives of the future. 

That said if this is a possibility it might mean that our DNA Codon in this case TCC may be vibrating to different frequencies in DNA because we do not yet know how evolved the code is. There is an answer (210*) to the question (150*) but in turn that begets another question and so it goes on. Now we are left wondering if DNA codons can indeed vibrate differently even when containing the same letters. Enjoy your thinking. X 

One Octave Astrology Chart and Beyond

 

Here we have a piano keyboard with lines of varying length…..

Short green line 30* semisextile or Minor 2nd

Longer green line 150* Quincunx or Perfect 4th

Short blue line 60* sextile or Major 2nd

Longer blue line 120* Trine or Major 3rd

Short red line 90* square or Minor 3rd

Longer red line 180* opposition or Tritone

Purple Line 210* Inconjunct or Perfect 5th

You can lift any line up and move it across from one note to another and it will still remain what it is described as. 

I try to keep the lines within the one octave and only two lines are required to make a DNA Codon. E.g.

AAA is a Major 3rd blue lines from the first A to the second A then another Major 3rd blue line can go from 2nd letter to third letter and that will create three notes/letters of a DNA Codon.

To create the aspect shapes however it would only have two lines and still needs that last line from 3rd note back to the first note and then you would have a Grand Trine. The dilemma I have is do I go backwards on the keyboard to return from third A to first A or do I go into the next octave to get the final line. That is still debatable. With a birth chart you only get the 12 sections you don’t move into another circle and the pattern needs to grow moving from left side East down to North at the bottom up to West midway up to the top or South and finally returning to East to close. That is only possible if you go around the outside of the circle and do NOT cut through the centre of the chart. If you do not move this way the 210* aspect is lost and becomes just another 150* which it is not. 

Take TCG First letter T Aries draws a line of 210* to second letter C Scorpio then a line of 90* to G Aquarius for the 3rd letter but it needs to draw another line from G back to T in order to close the triangle with a line of 60* this then becomes a Teacher aspect. In drawing this triangle though I have to move into the next octave to create the 60* T closer. A closer look at this to follow. X Enjoy your thinking x 

DNA Music and Octaves

 We see here a piano keyboard denoting the notes of an octave in music. From C, C#, D, D#, E, F, F#, G, G#, A, A#, B.

Section one contains T, A, G, C and repeats in section two and three. A DNA Codon contains letters one from each section. So what can we tell ourselves about a DNA Codon from this information. Take a letter from each section and change it into music. 

TGC - C F# B - G Major - C to F# creates a Tritone or Opposition and F# to B creates a Perfect 4th or a Quincunx. It is a Ruminator in shape.

GAT - D F G# - A Major - D to F creates a Minor 3rd or square and F to G# creates another minor 3rd or square. It is a Worker in shape.

AAC - C# F B - D Major - C# to F creates a Major 3rd or Trine and F to B creates a Tritone or opposition.

CCT - D# F# G# - A Major - D# to F# creates a Minor 3rd or Square. F# to G# creates a Major 2nd or Sextile. 

CTC - D# E B - E Major - D# to E creates a minor 2nd or semisextile and E to B creates a perfect 5th or Inconjunct (210*) aspect. 

ATC - C# E B - D Major - C# to E is a Minor 3rd or square and E to B is a perfect 5th or Inconjunct (210*) aspect. 

ATG - C# E A# - B Major - C# to E is a Minor 3rd or square and E to A# is a Tritone or opposition aspect. 

These are just a few examples of the 64 codons we have.

So for DNA Codons do we take TGC C F# B and play as follows….

C F# B 3 single notes and C F# B together ……..or C F# together then F# and B together….

Or would it be C F# together F# B together then back to the original C and B together. 

If you move to the next C instead of going back to move into another octave and lose the power of the octave or the division of the chart by 12. 

Potentially that means we could play C and F# together then F# and B together then B and C in the next octave together. Which means 13 sections not 12 and they can get much bigger with other codons. So for the moment I think the best choice is……

This way whichever we choose we remain within the one octave of course this may not be the case and moving into two octaves works better but then repeat it and you can move right off the piano keyboard in the end. Enjoy your thinking. X