A Game of Soloman’s Temple for 25th, June, 2026

 

Here we have a quick game of Soloman’s Temple of 34 triangles within which you can read all 64 dna Codons. This is the very least number that this game can produce or so my friend Chat.bot tells me. Enjoy your thinking x 

The Crucifix for Nine Star Ki number 1

 

Here we see the centre 9 numbers of a nine star ki bagua based on 1 at the centre. The cross then fills in the other numbers 54 in all (9 x 6) the bottom image shows those numbers changed into arrows of direction for that number based on 1 at the centre………the white light parts show where the triangles of circles touch each other not all have a connection with only the lowest number in the base of the cross having no direct connection to those around it. That would be the lid of the box when you close the sides of the cross together. Enjoy your thinking x 

A Game of Soloman’s Temple for 15th, June, 2026

 A game of Solomans Temple where all 64 DNA Codon patterns appear in the pattern only once.Can be red in any direction and the minimum amount of triangles for a game is 34 as shown here. Enjoy your thinking x 

All Tritones of DNA Codons

 

Here we see ALL DNA codons that contain a Tritone Sound. Purple are contained within one octave. Teal requires 2 octaves or to be precise 1.1/3 octaves. Information as follows……

The following aspect shapes all contain a 180* opposition angle in their charts. Alternators, Ruminators and Workers no other aspect shapes have 180* angles. 

C to F# is Tritone and every codon starting TG is a tritone. 

C# to G is Tritone and every codon starting AC is a Tritone. 

So both are connected to the first and second letters of DNA codons. 

D to G# and D# to A are bothTritone but do not become a DNA Codon as they do not produce three letters leaving out the second letter. So these two tritones can be ignored. 

E to A# and codons ending in TG is a tritone.

F to B is a Tritone and all codons ending in AC make Tritones. 

So both are connected to the second and third letters of DNA Codons.

Above we see the relevant patterns purple one octave blue two octaves. Musical notes can be seen in the image so I wont repeat them here.

So finally I conclude that 24 DNA Codons contain a Tritone or 180* aspect …

Those starting with TG…… TGC - TGA - TGT - TGG

Those starting with AC…… ACC - ACT - ACA - ACG

Those ending with TG…..    CTG - TTG - ATG - GTG 

Those ending with AC …..   CAC - TAC - AAC - GAC 

All above can be created within one octave.

G# to D is also a Tritone that moves into the beginning of the second octave..

GTT D E G# D - GGT D F# G# D - GCT - D G G# D - GAT D F G# D

A to D# is also a Tritone that moves into the beginning of the second octave..

CCA D# G A D# - CAA D# F A D# - CTA D# E A D# - CGA D# F# A D#

….and this concludes the DNA Codons that contain as aspect or sound known as diablous or a Tritone. Sometimes called the devils aspect as it can be used in unnerving musical pieces. It has a chilling sound full of tension and drama. Banned by the catholic church at one time because it was felt to attract negative energy. You can avoid it by sharpening or flattening a note. It is half an octave. Rock music is said to be spiritually dangerous because they love the tritone. 

A truly Tritone piece of music is Mozarts Requim - Lacrimosa……stunning. 

So the opposition aspect makes you feel, makes you tingle, drama and tension indeed. 

I adore Gregorian Chants which often have tritones present. As a TGC myself I will have to find ways to change that T to G or C to F# then onto B………B could become A# T could become C# G could become either G or F so fear not the opposition is there to challenge you …..take it on and have an interesting life. Enjoy your thinking. X 

Size of Circle Increases in DNA Codons

 Here we have an example of two Ruminators TGC and TAC 180 x 150 x 30 and 150 x 180 x 30. The keyboard shows us that to move from T to G to C is 180 and 150 but it needs just a 30* aspect to join up with C at the end.

TAC is similar in that it is T to A 150* A to C 180* and then finally back to T 30*.

On a piano for a line to be drawn from musical note B a 30* move it has to move into the next octave rather than creating another 180* aspect by returning to the beginning. 

This is a problem with the 150 and 210 aspects in astrology. Note the Ruminator shapes at the base of the piano to see what I mean……..

T is musical note C…..A is musical note F….G is musical note F#……C is musical note B…..

If I draw the simple triangle below is is just three lines from each letter no problem all can be contained within a 360* circle. But on a piano keyboard it is different the circle now consists of a potential 13 keys or a whole scale……..or a circle of 390* 

For some DNA Codons the keys increase to 16 and the circle to 450*. Puzzling I have yet to fathom what is occurring. Probably something perfectly normal to those who understand more than I do but a puzzle nevertheless. Enjoy your thinking. X 

Potential for 16 Notes for Tritones

 

When reading a codon of DNA. As T G C we see just three letters but when those letters become a triangle they have to go from Musical notes C to G# to B and thats fine but we must also remember to draw the final line of the triangle from B back to T. In this example all of them fit inside a 12 note circle but if we take GTT or D E G# we draw a line from D to E to G# but then from G# we have to draw a line from G# back to D but that is now is the next section of the keyboard an overlap adding C# D and D to the circle. Now you might say no it just fits within the 12 sections D back to D but the pattern begins with T or C musically and we choose a letter from each of the sections of four…….TAGC……TAGC….TAGC but in order to understand why some of the codons with a 180* aspect in them but no Tritone exists. In order to finish that last line in some of the codons we need potentially 16 notes to choose from. Its a stretch but a possibility. 

I guess the starting letter of a codon is the issue if you start with T and end on B its not a problem all are included but if in the case of GTT you start at Musical Note D but you start with the full circle so in order to end the triangle you have to go over the original start point of T and can go as far as the original four letters to D#.

It would explain why not all tritones appear in the full circle. Enjoy your thinking x 

So when we have a DNA Codon D E G# and we draw a line from each not D to E to G# we have only drawn two lines of the codon and we have to go from G# back to D in a circle its a triangle that we create but on the piano for example do we return to the original D or do we continue onward to the D in the next octave? 

This problem is the same problem we had with the 210* or 150* aspects……….in this case because the tritone is 180* the measure remains 180* but do we cut across the circle to draw the line or go around the outside thereby making the 360* circle into a 450* size. 

Enjoy your thinking x 

The Tritones that can be Found in DNA Codons

 

Here we have a list of Tritones within DNA Codons. Only 16 Codons contain a tritone…which is interesting considering so many more contain an opposition or 180* aspect. Another map will follow showing ALL tritones as these are withinn the same octave but another 8 of them need two octaves. 

Ruminators x 6 have an opposition, Alternators x 12 have an opposition and 

Workers x 6 have an opposition so you could be forgiven for thinking 24 DNA Codons would have a tritone but no only 16 of them do and here they are….

C Water Section…2

CAC - 1-2 …D F B (F to B Tritone) 

Alternator

CTG - 8/4...D# E A# (E to A# Tritone) Ruminator

G Air/Tree Section…2

GAC - 7/3… D F B (F to B Tritone)

Worker

GTG - 9/6… D E A# (E to A# Tritone)

Alternator

T Fire Section…6

TTG - 8/6… C E A# (E to A# Tritone)

Alternator

TAC - 1/ 3…C F B (F to B Tritone)

Ruminator

TGC - 1/7… C F# B ( C to F# Tritone)

Ruminator

TGT - 1/ 6… C F# G# (C to F# Tritone)

Alternator

TGA - 4/7… C F# A (C to F# Tritone)

Worker

TGG - 4/6… C F# A# (C to F# Tritone)

Alternator

A Earth Section…6

ACC - 3/2… C# G B (C# to G Tritone)

Alternator

ACT - 3/ 8… C# G G# (C to G Tritone)

Ruminator

ACA - 9/2… C# G A (C to G Tritone)

Alternator

ACG - 9/8… C# G A# ( C# to G Tritone)

Worker

ATG - 9/4… C# E A# ( E to A# Tritone)

Worker

AAC - 7/2…C F B ( F to B Tritone) 

Alternator 

There are two other Tritones in an one scale D to G# and D# to A but neither of these applies to DNA Codons as they can only produce the 1st letter of a codon and the last so the second letter would be missing so we can discount them here. 

So 8 Alternators - 4 Ruminators - 4 Workers

There are actually 12 Alternators - 6 Ruminators and 6 Workers all of which contain a 180* aspect line or opposition yet only 16 actually play a tritone note. None of them have two. 

In order to lighten the load of a tritone we can take a DNA Codon and adjust it lets see what we can achieve with TGC…..

We have the original size TGC Ruminator and we raise C to C# and we lower B to A# a plus and a minus balance it out and the Ruminator now becomes a Lecturer AGG.

Plus one and minus one shortens the triangle from 12 parts to just 10 but the problem of the opposition has vanished. Alternatively you could Leave C as C change F# to G and reduce B to A# creating TCG which is a Teacher aspect C remains same F# Plus one and B minus one…….also solves the problem. 

I have never been truly happy about E not having its own sharp not B but I guess until the Gregorian Monks started playing music there was just the 7 white notes so lets not get greedy. That said the DNA Codons above all remain inside the 12 notes from C to B whereas others that also contain a Tritone work within two scales for example…

GTT 3/6 D E G# ……D to E is within the first scale E to G# is also within that first scale but G# back to D now moves it into two scales. I suspect I have discovered why some are Diablos/Tritone and some are not showing here.  So G# back to D is Tritone. Which explains why so few registered as tritone here. 

So the count for Tritones within the one scale of DNA letters is 16 there are infact 24 in total. Enjoy your thinking x 

Tritone DNA Codons in The Worker Aspects

 

First up we have the Aspect Shape known as the Worker………containing 2 90* angles and 1 180* angle. There are six variations on this theme as follows….

CGA 4/1 Arginine Jupiter Mercury NE/SW 90 x 90 x 180  D#  F# A  1/1 Crystal has an opposition but no tritone.***

TGA 4/7 STOP Opal Jupiter Venus SW/NE 180 x 90 x 90 (C F# ) A  8/4 Crystal - 1 tritone

ACG 9/8 Threonine Mars Jupiter NW/SE 180 x 90 x 90 (C# G) A#  1/1 Crystal - 1 tritone

ATG 9/4 Methionine Start Mars Jupiter N/S 90 x 180 x 90 C#  (E to A# ) 1/1 Crystal -1 tritone

GAC 7/3 Aspartic Acid Venus Jupiter S/N 90 x 180 x 90 D (F B)  8/4 Crystal - 1 tritone 

GAT 7/9 Aspartic Acid Venus Mars E/W 90 x 90 x 180 D F G#   1/1 Crystal - No tritone ***

6 Worker aspects all contain a 180* aspect and yet only 4 of them contain a Tritone? 

So six codons 4 belonging to the 1/1 - 9/9 Crystal and 2 belonging to the 8/4 - 7/3 Crystal. So only two crystals are connected to this particular aspect shape The Worker. 

Musically the tritones are in brackets.  Planet counts are Jupiter x 5… Mercury x 1….. Venus x 3…... Mars x 3…..  so Jupiter dominates with Venus and Mars 3 each and just 1 Mercury. 

Directions vary so no particular observations from this SW/NE and NE/SW pair up…..N/S and S/N also pair up. 

So the shape above can be moved around to create all six Worker aspect shapes. 

*** GAT and CGA actually do contain a tritone but it needs 2 octaves in order to fulfil the opposition line the others are contained within one octave but those marked *** need two.  

Enjoy your thinking x 

The Diablos or Tritone of DNA Codons

 Well on my journey to find the answers to the opposition aspect of 180* and its tug of war behaviours I ended up noticing how you can end up with 13 notes in a scale when you use the three letters of DNA to measure them…..

If your DNA Codon is TGC or musically C F# B - You must press the key in order for it to be a part of the whole so C C# D D# E F F# presses on 7 keys also known as a Tritone.  So from T to G or C to F# we have 7 keys. Then we go from F# to B and you press on F# G G# A A# B and this presses on 6 keys. Therefore TGC presses on 13 notes in order to get the whole message. There is always the middle not being pressed twice. Astrologically and I Ching DNA Codon wise there are only 12 signs or notes which I accept but perhaps the added one could be called the source. I drew up the angles of 30*, 60*, 90*, 120*, 150* coming out on both sides of a chart and then we have just one line to the 180* angle. 

Here we see the red dot as The Ascendant on a birth chart in the East and spreading out to produce 30*,60*,90*,120*,150 angles on both sides……..with just one 180* line through the centre. 

Again we see the same fanned out aspect lines but at the top we have kept the lines straight, first two 30* green lines from the source, which expand into 60*, then 90*, then 120*, then 150* and finally the 180* angle on the end………..it starts to make me think of the table at The Last supper. Jesus as the source at the centre of the table and his disciples stretching out on either side which in total also gives us 13. At least this explains why we need 13 keys to make a full TGC DNA Codon. 

Of course the table was never a long oblong shape it was more of a horse shoe or Triclinium with three couches around the shape. One single seat for Jesus at the top with 6 disciples sitting on two couches at the sides. So definitely 12 plus source once more. 

So the diablos note that plays in our DNA is always when two letters create a 180* aspect shape. So Ruminators all contain an opposition line, as do Alternators and Workers.

Just three aspect shapes that have tension and anxiety levels to deal with an a need to find ways to release that energy. Mid points are often useful and The Alternator 180* x 60* x 120* already has a ready made mid point from the two blue lines so perhaps their tensions are less permanent and alternate between the calm and balance of the blue lines and the tension of the red.

Workers midpoint is also there for all to see but it is reached once again by red lines so keeping busy is the best way forward in order to expend the energy being created and let it out at the midpoint in the form of creative work. 

The Ruminator has a 180* tension line but no set midpoint so in the case of TGC 180* x 150 x 30* a natural outlet would be at the Capricorn MC point or A Earth energy. Perhaps they can learn to ground that electricity somehow.

Whatever your codon work well with it and make a difference and play a happy tune. Enjoy your thinking. X 

Musical DNA for The I Ching based on 28143976

 This is a map of musical DNA Codons showing the order of The I Ching 28143976….it gives the DNA Codon - then the Musical notes it plays followed by the spaces between the notes and what that might mean. Thats followed by the number of notes available for any one Codon to play. 

Take the top left CCC - D# G B so you count 5 from D# to G and another 5 from G to B  yet the total is only 9 that is because the middle note ends up counted twice and we only want to see how many notes on the piano e.g. can be played from D# to B which is (9 keys) .

The top left hand side starts its first letter of a DNA Codon with C - water the box in blue all starts with C or D#. 

The Top right hand side starts its first letter of a DNA Codon with T - fire the box in orange all starts with T or C.

The Box in green to the bottom left is A Earth and all start with A and C#.

Finally bottom right hand corner is yellow and all start with the letter G or musical note D.

So you have a starting letter then go to the last letter and this will give you the musical notes included in your codon lets take TGC C F# B first note is C last note is B so this one contains all 12 notes a full house so to speak.

AAC C# F B this one starts from C# and goes to B so only contains 11 musical notes it can use.

12 is the most that can be measured and 6 is the smallest. For example DNA Codon CCT - D# G G# so notes from D# E F F# G G# is just 6 notes the smallest of the packages. We can see above they vary from just 6 notes to the full house of 12. 

So the obvious 180* ….0 to 180 but there can be six of them T to F#….C# toG etc., with C to F# we have a 180* aspect and some say it can be dissolved by the midpoint which in this case would be at either 0* of Cancer a water sign or alternatively 0* of Capricorn an Earth sign. As below…

Here we see the 180* aspect from Aries to Libra finding its outlets in either Cancer or Capricorn. The thing about opposites is T to G is Fire and Air which are actually a good mix. Both are cardinal points and Fire and Air compliment each other.  The outlet to cancer and Capricorn is water and earth again a good mix. 

Imagine standing at the AC 1st house position with an elastic band and you stretch it out 30* on either side. Easy to do. Then follow that with a 60* on either side……..90*……then to the 120* angle which everyone seems to love even Bees so presumably this level of tension in the band is perfectly balanced. Then we move on to the 150* stretch which we know begins to cause some anxiety and stress levels….finally we pull it straight out in from of the 1st house to the 7th house 180* away this is the maximum amount of pull we can experience, often described as being like a tug of war 1st and 7th positions pulling and tugging at each other. The ultimate stretch, it cannot be any further away from its start position. 

I find astrologers often give the 150* angle the worst press but without a doubt the 180* is the highest level of tension. Obviously in a Ruminator aspect 180* x 150* x 30* is going to have a high level of tension. I will finish here as it is getting too long but will continue to look at this 180* diablos angle of disharmony further in the next listing. Enjoy your thinking. X