The I Ching

This is a map of all 64 codons of DNA four sections water, Fire, Air/tree and Earth each part containing four plus points and 4 minus points.....the maps below show that if this particular part was position across the centre line my own 1/7 TGC would put my number 7 in position number +3....

My number 1 would be positioned in a +2 so together I creat +2 +3 = +5

GGG would produce +4 - 4 = zero Heaven itself showing as nothing.......

CCC would produce - 4 - 4 = -8 the maximum negative count..... very much down to Earth here.

With the numbers in the positions above ...which are only my version..... all the A Earth codons would produce negative numbers.....Fire T produce only positive counts and C and G can vary I am not sure what his might tell us but something is out there waiting to be discovered. X

The I Ching Murano Chandelier

This image starts at the bottom with the 2/6 tag and spreads out until it reaches the top which is a diagonal line across the I Ching from 2/2 to 6/6........the line across the top shows only one colour because the other colour is on the other side and all the numbers across the top are doubles.... 2/2, 8/8, 1/1 etc., this image can be turned around so the bottom reads 6/2 and all the nine Star ki’s here are reversed. They are mirror images of each other..... so my own Nine Star Ki 1/7 appears in the fourth row up from the bottom and when turned it will read 7/1 ......this would make a wonderful Murano chandelier of all 64 codons of DNA that makes up our lives. Why Murano you might ask well to be the best you must choose the highest quality, why settle for less. A pair of wall chandeliers would show all of them in one glance. Sometimes turning DNA into everyday objects is the easiest way to make them understandable.

Note also this image could be of cubes......1/7 appearing on the face of the cube with its top hidden by the cube above it....... in order to produce all 64 codons of DNA in letters only four cubes are required I wonder how many cubes we would need to produce all of the nine Star Ki codes x

NIne Star Ki Bagua as Images

The Nine Star Bagua can be presented in so many often elements, colours, numbers but images can also be used to represent a Bagua map......

We see that the top row of 4, 9, 2 is represented as a blue flower as tree/air energy and wealth and prosperity are associated with the number 4. The 9 position is a candle to represent fire lighting the way for the fame and success associated with it. Position number 2 is a blackbird associated with the land and the Earth element black for soil in the south west... and birds love nothing more than to fly across the open fields looking for food.

Then we have the middle row of 3, 5, 7 and 3 is a green tree of growth and roots..... connecting us to our ancestors new shoots sprouting for new beginnings...... the middle is a bee yellow and black like the colours of the Earth element and a busy position to be at the centre of everything.....then we have the position of the number 7 with a red rose of romance and fun.....you might also like living life in the red if you overdo the fun.

Finally the bottom row of 8, 1 and 6. 8 is associated with the mushroom and it can be explosive and changeable...... a bit like a nuclear explosion.... you never quite know what number 8 might bring as it is coming to the end of a cycle and if you have been slow to proceed to the end of each of the other numbers as you have gone through a nine year cycle then it might try to ram a lot in to be sure all is completed before the cycle ends on 9. Expect the unexpected is probably the best way to describe number 8.....it’s wonderful to view the world from the white capped mountains but the potential for an avalanche is always there..... or you may ski unhindered to the bottom .... you just don’t know. Then on to number 1 and the sea shell...... something about the number one position makes you more connected to the spirit world out there and you might hear a lot more when you put the shell to your ear than you expected..... work hard here at the beginning and you will achieve the fame and success that awaits you at the end. A sensitivity to nature can and other people can be found here. Just learn to listen. Finally we come to the number 6 and the image we have is a fox...... notice how if you put A  in box number 1 B in 2 etc., and keep going around again once you reach all 26 the box marked 6 will contain the word FOX.....number 6’s can be stylish but do they behave in a foxy lady kind of way.... pulling you in before you get chance to realise what is happening. It can work equally well that the fox you caught sight of last night is indeed your guardian angel keeping an eye on things for you....the fox is nobody’s fool some say sly and cunning but I prefer a master planner who keeps everything and everyone in order just be aware that making people bend to your will is not the same as persuading them to your point of view.

You can of course create the numbers with varying images in them 6 a fox or an angel a force to help you, like the fox is rarely seen. That seashell in the number 1 slot could become an ocean..... reminding us never to upset water as it can be a very powerful thing when it’s not happy.

Enjoy your imaginings x

The. Crystals and their Movement

This is a piece of jewellery from The Honk Kong Jewellery Company which I find to be divine because it so reminds me of the crystals of 12 parts codon that exist within the patterns of The I Ching. This particular shape denotes the way energy moves up the crystal in a orbital manner in the 1/1 - 9/9 crystal which contains the following DNA Codons. The black lines are drawn on by me.

From the bottom CCC CCT CTT TTT TTG TGG GGG GGA GAA AAA AAC ACC

GGG is at the bottom CCC at the top and AAA to the centre left with TTT to the centre right.....these four points form a cross or crucifix which is so often found within the patterns of The I Ching. The 1/1 crystal has a very curvaceous way of climbing the crystal.... whereas others are not so shapely.

The 6/6 - 2/2 crystal moves more in this manner....

Another example would be the 8/4 - 7/3 crystal which looks like a twin handled cup......

The Diamond is a simple 8 shape...

The double crystal works differently again...

Codons are three letters and so simple but they behave is so many different ways x

The I Ching planets

Let’s have a little light relief for my brain after all the codons this week ..... below please find a planetary map of the I Ching. I starts in the middle yellow area with 2/2 Saturn Saturn based on the numbers 2814397 in The I Ching.

My own 1/7 on the third row down the left hand side as Venus Mercury..... what a beautiful mind x 

A Closer look at TAC

Based on information in the previous writings let us take just one item and look at it more closely.....

So in Tay Sachs one codon that reads incorrectly is TAC which should match up to ATG but instead it is matched with TAG ...... one observation is that TAG is an indicator to STOP end of the journey.... yet instead it should match to ATG which is MET or Start point..... a leader and not an end point. Both the codons ATG and TAG contain red, yellow and green colours like a set of traffic lights if it starts with A it gives them the green light if it starts with T is gives them the red light of Stop. What else might have happened if this stop light had been on green for go...  

Stop codons TAA Ochre... TAG Amber...TGA Opal...... all start with a STOP red light two have A at the centre which is GO only TGA has the order correct Red, Amber, Green......is TAG unsure about whether to stop or not......more like STOP, GO and hang on a minute.

Observation ..TAC is Hydrophobic and has the option to become Neutral on the rung of a ladder.... TAG is Hydrophilic and Neutral and ATG is Hydrophobic and cannot be Neutral. So although TAC is probably Hydrophobic with TAG it would have to become Neutral or Hydrophilic with ATG.

Observation ...in the musical notes of TAC and TAG we see that TAC raises the tone by 1/2 a note and when it is with its true match ATG it is also raising the tone by 1/2 a note so no change there but the difference musically between TAG and ATG is zero. That said TAC plays in C Major.... TAG plays in B Major and ATG also plays in B Major hence there is no change.

Observation ... TAC and TAG have two letter errors T should become A and A should have become T instead they did not change at all.......C and G did change as would be expected.

So much to observe and so much fun in doing so. Enjoy your thinking x

Tay Sachs Codon Mutations

The following mutations take place with DNA Codons in Tay Sachs....

UAC changes to UAG
CGA changes to CAA
CGG changes to CAG
CTG changes to CTA

Now if we follow the changes as a half tone as we have done on previous articles which you can read just before this listing......then we see that once again the change of 1/2 a tone applies.... in these cases the codons to the left are 1/2 a tone higher than the codons to the right which are lowering the tone by half a note.

(T) UAC - Tyrosine - C F B - (T) UAG - Stop Amber C F# A#  - UAG lowers the tone by half a note
CGA - Arginine - D# F# A - CAA Glutamine D# F A - CAA - lowers the tone by half a note
CGG - Arginine - D# F# A# - CAG - Glutamine - D# F A# - lowers the tone by half a note
CTG - Leucine - D# E A# - CTA - Leucine - D# E A -lowers the tone by half a note

It could be a mere coincidence but it’s looking very interesting .....does music show us errors more clearly x

Sickle Cell Mutations

In sickle cell anaemia there is an error occurring in an row of amino acids that show this way......

CTC  Leucine.......no error here
GAG Glutamic acid...... no error here

CAC  Histidine......no error here
GUG Valine ...... no error here

CTC should become GAG and CAC should become GTG which changes to GUG ...... so there is no error here.

So if the concern is that GUG is not making Glutamic Acid then that in itself would be wrong.... if you want CAC/GUG to create Glutamic Acid you should have CTC Leucine above it. So the error lies with the non coding strand above which in turn creates the error below.

On the coding strand GAG becomes GUG and this is were the error occurs in sickle cell anaemia.... so on the none coding strand CTC has changed to CAC so once again Histidine is involved. Could it be that the change from CTC Leucine to CAC Histidine could be just a half a note musically ....

CTC D# E B

CAC D# F B

From this we can observe that Leucine (E) is half a tone lower than Histidine (F) so Histidine has raised the tone by half a note which in turn matches it up to GUG Valine which because of the raise of half a tone now matches Valine and Not Glutamic Acid.

Of course it could be a coincidence...... I also believe mutations are well intended errors.... they may take years to become fixed and permanent it is not just an Crazy error in the coding department so it is meant to be for the best though one change begets another and therein lies the problem the mutated code can create. I must find more coding errors to see if raising or lowering the tone by half a note applies. Enjoy your weekend thinking. X

Crazy Mixed up DNA

With a condition called Hereditary Haemochromotosis the following observations can be made...

The mutations in C282Y and H63D can be as follows.......C282Y from a Guanine (G) to Adenine (A) it can produce a substitution of Cysteine for Tyrosine at amino acid position 282 in the protein.  In the H63D mutation a Guanine (G) replaces Cytosine (C) at nucleotide 187 of the gene causing Aspartate/aspartic acid to substitute Histidine at amino acid position 63 in the protein. Another is a substitution of Cysteine for Serine at amino acid position 65. 

There are two types of Cysteine in Amino Acids....

TGC 1/7 - Hex 47 - NE/SW - 1/1 - C F# B - Mercury Venus - 180 x 150 x 30 - Ruminators ***

TAT 1/6 - Hex 6 - S/N - 8/4 - C F# G# - Mercury Venus - 180 x 60 x 120 - Alternator xxx

There are two types of Tyrosine in Amino Acids....

TAC 1/3 - Hex 40 - E/W - 1/1 - C F B - Mercury Jupiter - 150 x 180 x 30 - Ruminator ***

TGT 1/9 - Hex 64 - NW/SE - C F G# - Mercury Mars - 150 x 90 x 120 - Lecturer xxx

There are six types off Serine in Amino Acids...

TCC 2/3 - Hex 16 - SE/NW - Double - C G B - Saturn Jupiter - 150 x 120 x 30 - Thinker

TCT 2/9 - Hex 35 - W/E - 8/4 - C G G# - Saturn Mars - 150 x 30 x 120 - Thinker

TCA 8/3 - Hex 62 - Alert - Diamond - C G A - Saturn Mars - 150 x 90 x 60 - Teacher

TCG 8/9 - Hex 56 - SE/NW - Double - C G A# - 150 x 90 x 60 - Teacher

AGC 7/1 - Hex 60 - SW/NE - Double - C# F# B - Venus Mercury - 150 x 150 x 60 - Magician

AGT 7/4 - Hex 61 - NE/SW - Diamond - C# F# G#  - Venus Jupiter -  150 x 60 x 150 - Magician 

There are two types of Aspartic Acid in amino acids....

GAC 7/3 - Hex 54 - S/N - 8/4 - D F B - Venus Jupiter - 90 x 180 x 90 - Worker 

GAT 7/9 - Hex 38 - E/W - 1/1 - D F G# - Venus Mars - 90 x 90 x 180 - Worker

There are also two Histidines in amino acids...

CAC 1/2 - Hex 7 - SE/NW - 8/4 - D# F B - Mercury Saturn - 60 x 180 x 120 - Alternator

CAT 1/8 - Hex 4 - W/E - Double - D# F G# - Mercury Saturn - 60 x 90 x 150 - Teacher

*** So in the case of Cysteine being substituted for Tyrosine with a G becoming an A then TGC has been changed to TAC .... both of them create the shape of a Ruminator...... both have Mercury but TGC has Venus and TAC has Jupiter. Jupiter is in its growth situation and Venus has come to fruition.

Musically TGC is C F# B and TAC is C F B...... so TGC is half a tone higher than TAC so could be said that TAC is a lower tone of TGC. So Tyrosine is lowering the tone in this mix.

xxx Then we see the potential for TAT and TGT changing Cysteine to Tyrosine once again ... A to G changes ......Mercury Venus becomes Mercury Mars......male female changes perhaps...... C F# G# compared to C F G# so once again just a half tone musically to make a difference......an Alternator and a Lecturer so the shapes do not match. TAT is raising the tone from TGT so Tyrosine is lowering the tone in this mix.

GAC is the lower tone of CAC which is half a tone higher meaning Histidine is raising the tone.
GAT is the lower tone of CAT which is half a tone higher meaning Histidine is raising the tone.

Finally one case of Cysteine changing to Serine ....I suspect the Cysteine choice has to be TGC and the G is changed to a C thus changing it to TCC as no other similar changes occur with other Serine amino acids...... TCC is C G B and TGC is C F# B again this is just a half tone difference musically...
F# becoming G so in this case TCC Serine is the higher tone with TGC lowering the tone.

Could music play a big part in finding these mutations...... just a half tone raised up or lowered and you have your changes. 

The Position of Elements in The I Ching and their Motion

Here we have the circle of life all 64 codons of DNA or I Ching Hexagrams placed into 5 crystals of 12 parts and a centre piece of 4 parts .... they move around from the East to the North, West, South and back to East. If you take the elements/letters C Water, T Fire, G Air/tree and A Earth and add them together it gives you a count in each quadrant as below.

Bottom left quadrant A Earth contains.......21 A, 8 T, 10 C, 9 G - A dominates

Bottom right quadrant C Water contains....10 A, 9 T, 21 C, 8 G - C dominates

Top right quadrant T Fire contains..............8A, 21 T, 9 C, 10 G - T dominates

Top left quadrant G Air/tree contains..........9A, 10 T, 8 C, 21 G - G dominates

Circle of life Pattern of G, T, C, A

The windows version of the I Ching is as below.....C, T, G, A

We know this to be correct as it takes into account all the C,T,G,A letters in each section of the I Ching Hexagrams Map based on 28143976.

Yet if we take the counts from the record of life we see that C and G change places.....there must be a reason for this and that is what I must try to work out .....GTCA and CTGA could be said to be clockwise and  anti-clockwise could it be that DNA is clockwise and RNA is anti-clockwise but it still doesn’t explain why they work out so differently in the elements. More thought required here. X 

The Revolutions of the Record Player of Life 1/1 Crystal

This is the 1/1 - 9/9 Crystal which is as you can see a little less orderly than the 6/6 - 2/2 Crystal and contains the following information for playing the record of life as the second crystal in from the outer edge.....

The same rules apply....

TAT - 1/9 - C F G#
ATG - 9/4 - C# E A#
TGC - 1/7 - C F# B
GCG - 9/9 - D G A#
CGA - 4/1 - D# F# A
GAT - 7/9 - D F G#
ATA - 9/1 - C# E A
TAC - 1/3 - C F B
ACG - 9/8 - C# G A#
CGC - 1/1 - D# F# B
GCT - 3/9 - D G G#
CTA - 8/1 - D# E A

So played in one row at a time would create...

C C# C D D# D C# C C# D# D D# F E F# G F# F E F G F# G E G# A# B A# A G# A B A# B G# A

That is not quite so repetitive as the 6/6 crystal version...... let’s see what three in a row creates....

C F G# C# E A# C F# B D G A#  D# F# A D F G# C# E A C F B C# G A# D# F# B D G G# D# E A

Amino acids all in a row must be creating something let’s hope it’s pleasant and so is it’s music as there are more challenges facing those positioned in the 1/1 crystal and I include my own TGC in that. More challenging or more exciting. My mission should I wish to accept it.........

Another unique picture frame styled pattern for the position of all the codons within the 1/1 crystal as they are positioned in the I Ching...

The Revolutions of the Record Player of Life 6/6 Crystal

Above we have the record of life which shows us all the six crystals which contain all 64 codons of DNA. The outer edge is made up of the 6/6 - 2/2 crystal which is twelve parts or codons. Each codon has three musical notes to it so let us work from the East to North to West to South and back to East again. This will create 36 musical notes and plays the 6/6 crystal. As we can see from the above pattern of the 6/6 it is associated with Heaven and Earth and is very orderly. As it is on the outer edge of the record the circle it creates is bigger than say the Diamond crystal at the centre....... would this make the record play differently. If you take a 78 or 45 or 33 rpm record it manages to play all of the grooves in the same time beat so perhaps there would be no change for the crystals even though the circumference of the circle they create differs. Here we have the notes for the 6/6 - 2/2 crystal which as each codon is three notes would likely be in 3:3 time.

6/2 - AAA - C# - F - A
7/2 - AAC - C# - F - B
3/2 - ACC - C# - G - B
2/2 - CCC - D# - G - B
2/8 - CCT - D# - G - G#
2/4 - CTT -  D# - E - G#
2/6 - TTT - C - E - G#
8/6 - TTG - C - E - A#
4/6 - TGG - C - F# - A#
6/6 - GGG - D - F# - A#
6/7 - GGA - D - F# - A
6/3 - GAA - D - F - A

We now have the list of the musical notes that would be played on the record player as it moved around the record but would it play as in the first row of notes one at a time not completing until it had made three revolutions or would it play the whole codon in each case.

Playing 1 letter of the codon at a time...

C# C# C# D# D# D# C C C D D D F F G G E E F# F# F# F A B B B G# G# G# A# A# A# A

This seems quite repetitive perhaps also three notes played together would work best....

C# F A C# F B C# G B D# G B D# G G# D# E G# C E G# C E A# C F# A# D F# A# D F# A D F A

I wonder what the codons and music create together....

AAAAACACCCCCCCTCTTTTTTTGTGGGGGGGAGAA........amino acids in creation..... or a symphony of music.

We also see from the Picture Frame type image below that The I Ching contains all of the codons from the 6/6 - 2/2 crystal around its outer edge in a one, two, space, three, space, space, space and four pattern around its outer edges. With little rosebuds at these points it makes a lovely shape for a picture frame.

NIne Star Ki Bagua and the Directions of Energy

We see here the 27 piece cube of nine Star Ki based on 5 at the centre. We can see how the blue North cube on the face matches up to the South blue cube on the right hand side. A line drawn from north to south. On the rear view which you cannot see the cube in the North is red and matches up to the red South cube on the left hand side at the top. Note how the green East point of the face matches up to the green North point Bottom right. On the right hand side we cannot see the North point but it will be purple as the South on the face is purple...... so although each colour represents a different number it doesn’t alter the fact that North moves to the South on all sides. 

That said we can also see how the cube in the East at the front is also the cube in the North of the right hand side of the cube and this East/West cube moves to the North point at all times no matter what colour or number is situated there. The purple cube to the face in the South moves to the West/East cube on the right hand side.

So no matter what else is happening weigh colours, elements or numbers the direction of the matching cube is always North to South.... South to West/East.... East/West moves to North and the cycle starts all over again. The eight corners all match up to the diagonal partner. The seven cubes at the centre all create the crucifix with three lines two horizontal and one vertical.

So we move North to South, South to West/East and West/East to North......what could be simpler. The lines drawn between three points North to South to West/East and back to North creating a dynamic triangular energy as below. Four variations on North, South, East and West x

The I Ching based on 28143976

This is a map of the I Ching based on 28143976 three lines are drawn in a square to denote the letters of the DNA Codons......starting at top left hand side down to bottom right hand side and then left to bottom left hand side and finally up to the top right hand corner and the pattern is complete. It resembles the common paper clip......

It gives you a clear understanding of why C Water is top left hand side and A Earth is bottom left, with T Fire top right hand side and G Tree/air bottom right hand side. These colours/elements dominate in these areas x

The Baguas

We see here the Bagua of 81 x 81 or 729 pieces based on the number 3 at the centre. When 3 is at the centre 1 is in the usual 3 position possibly creating and supporting the 3 whilst is it locked in at the centre.

This is the Bagua with number 7 at its centre as we can see 9  is in the 7 position, now most people will say no it doesn’t support 7 but in the crystals it does. So 9 is supporting 7 whilst it is at the centre. 

This is he Bagua with the number 9 at the centre and the number 4 is offering support in the 9 position as we would expect. 

So perhaps the position of the centre number will always be supported by its creative element. 1 water to 3 tree/air to 4 tree/air to 9 Fire to 7 Metal to 6 Metal and back to 1 water. 

This is the crystal and it’s elements and when it is in its usual 5 position this is how the support system works 1 water supports 3 tree/air which supports 4 tree/air which supports 9 fire which supports 7 Metal which supports 6 Metal which supports 1 water.... perhaps Earth is locked away at centre so Fire is not in a position to pass through Earth and then let Earth be the Metal supporter. Whatever the reasons there is little doubt that 9 Fire supports and creates through 7 Metal. 

For the Earth elements when 2 is at centre 8 is in the 2 position and when 8 is at the centre 2 is in the 8 position. 

All is as it should be. Enjoy your thinking x 

Jigsaw of The Nine Star Ki Bagua

No matter how large your Nine Star Ki Bagua becomes you need only have these two shapes to make your jigsaw.  The left hand side piece is placed at the centre of a bagua and no matter how large or small the map is only one of these pieces is required. The right hand piece shape can make all the other pieces. The above image is pushing upwards South and to the left East and is thus a S.E piece used as a number 1 or number 8 in the bagua. Flip it to the right and East becomes West and the piece is now a S.W piece used as numbers 3 and 4. Flip it from bottom to top and you then have a North and West piece associated with numbers 9 and 2 and finally flip it from West to East and you have North East piece associated with the numbers 7 and 6. So two simple jigsaw pieces can make an ever expanding Bagua.

 As shown...

9 x 9 = 81 piece bagua of the number 5 at centre and although 5 pears elsewhere in the map it is only at the centre we see the centrepiece.  Of course his map could expand on forever and ever 1 x 9....

9 x 9... 81 x 81 etc., and so on. X

The Directions of Nine Star Ki

This is a map of the directions part of Nine Star Ki....... it marks the third position .... of Nine Star Ki numbers...my own for example is TGC 1/7/8....... the 8 is associated with the North East so anyone with a third number in Nine Star Ki sits in the North East and faces South West...... so the third numbers gives you a position to sit in and face it’s opposite direction as follows....

Number 1 sits in the North and faces South
Number 2 sits in the S.W and faces N.E
Number 3 sits in the East and faces West
Number 4 sits in the S.E and faces N.W
Number 6 sits in the N.W and faces S.E
Number 7 sits in the West and faces East
Number 8 sits in the N.E and faces S.W
Number 9 sits in the South and faces North

This map is all about the Hexagrams of the I Ching and how they match up. In normal DNA T and A pair up and G and C pair up. In The I Ching Hexagrams T and A pair up but if there is a C or G in the codon they will remain unchanged. In some cases for example ACT if you pair it up diagonally you still create ACT a mirror image and the Hexagram is not viable. So instead of T and A swopping the C is exchanged for a G and the T and A remain unchanged instead creating Hex 27 ACT 3/8 pairing up with Hexagram 28 TGA 4/7 this pair belong to the 8/4 Crystal. This problem does not occur below because it flips at the centre point.

The 8/4 - 7/3 Crystal works in the following manner...

Notice how the letters on the left hand side do not swop T for A or C for G and vice versa as would 

be expected of them in DNA spirals but if we take column two and flip it over we now see that the DNA spirals are correct..... this flip action works for all of the crystals but you have to create a crystal codon in the same way as you might create a Hexagram by throwing six sticks or coins. Once you have a codon number or Nine Star Ki numbers you can then continue to create the rest of the crystal until the code repeats, usually after 12 codons but it’s only 4 in the diamond crystal. Once you position them by Hexagram number you will find the peaks and then can flip the right hand side. 

This now conforms to DNA Spirals but it also tells us 6/1 AGA has a relationship with 9/2 ACA but now also with 2/9 TCT..... there is much to learn from comparing information on these relationships. 

So that explains the matching patterns not conforming to DNA standards in the map of directions above. Enjoy your thinking x 

Shapes of the I Ching

Once again we look at the 6/6 crystal in red, the 1/1 crystal in blue and the diamond crystals in yellow.......with only these crystals on view we see the machine that pushes energy around once more within The I Ching. The red is from the 6/6 crystal blue from the 1/1 crystal and they are joined together with the green lines ........ the diamond crystal has only one spot in each of the quadrants but I feel this must make them pretty special as they are stand alone markers for the yellow square to the rear..... connecting all the quadrants the black lines denote the matching pairs of these Hexagrams. They are the windows of the quadrants just like the image below denotes C T G and A of the DNA codons they mark. The diamond crystal also sits perfectly at the centre of the record of life which shows all 64 codons. So the diamond is indeed at the centre of everything. The top shape is also used as a fitting at the centre of a game of dominoes which as we know fits the I Ching nicely.

NIne Star Ki Bagua

The nine Star Ki bagua can be seen in many ways a carousel type pattern that moves around with its mirror images or like a water mill turning, you can only see four of the numbers the missing four are hidden beneath.

The eight sides of the Bagua are represented here and as usual you only need know half of the story to fill in the blanks and know what’s missing. 

The simplicity of a mirrored bagua would show us what would be reflected from what position. So where I am standing is important to the variations on a theme of what I could see from that vantage point. 

Here we see the bagua as it moves around itself.... take north number 1 position it pushes up south red then east green....so does number 8...then 3 moves south red and west yellow and so on eventually culminating in this shape if the lines remain straight. As we know by now we are never very far from a crucifix shape. 

If the lines curve we are more likely to get a Rose type shape. Let’s not forget that whilst we are talking about nine Star Ki it doesn’t take much to change it all into DNA codons and life itself. I rather like to think of myself as a Rose....the Rosicrucian cross shows these connections well as it is the crucifix complete with the Rose draped over it. Perfection. 

 Enjoy your thinking x

Dominant Elements in Nine Star Ki Baguas

We can see from the cross above that it runs through the centre in all directions...... Whatever number is at the centre of your bagua all 7 of these cubes will be the same and be the dominant element in the cube. Now you need to add the outer cubes to make your Bagua of 27 pieces in total. Three layers of Saturn’s 9 year cycles of 9 years........ which in a 27 year cycle creates a trine aspect so it’s a positive creative talent available to you as you go through the layers of your life. If you add to the bagua and make it 9 sections of 27 cubes you will have 243 cubes.... then 2187 and so on all the measures will in some way work with the Saturnian principles. Do we play a bigger part in the world when we push our cubes outwards ever expanding like our auras.

The cross is yellow through the centre therefore belongs to the number 5 bagua. Then you add the missing elements/numbers and your cube is complete. When five is at the centre fire and water are in equal measure whereas in all other baguas one or the other will dominate. The number 5 is well balanced because of this, definitely middle ground.

Each bagua Dominates in either fire or water but they also dominate in 3 or 4 tree/air energy and 6 or 7 Metal energy each number has its preferences. They also have a preference for 2 or 8 soil. Work out your own balance of elements and see which are most dominant for you.

For me as a 1 Water..... I contain 7 cubes of water at the centre...2 x 2...3 x 3...2 x 4...3 x 5...3 x 6...2 x 7..3 x 8...2 x 9.
So as is expected Water dominates from the centre but I have a preference for 3 Tree/air energy and 6 Metal energy and Fire is under control in this watery environment. As a one Water I am supported by 6 Metal and I create 3 Tree/air so it’s not surprising I favour them. My soil preference is equal for number 5 and number 8 rather than 2 soil energy. As both number 1 Water and number 8 soil move around the bagua in a SE upward manner perhaps they have more in common than they do with 2 soil which moves down in a NW manner.

Use your elements wisely and balance will be found. Enjoy x

Astrology and Nine Star Ki with DNA codons

my apologies for the simplicity of my drawings I have a new computer and as yet have not got a clue what I am doing......

The triangular codons of DNA different colours on each side.......

Now we look at the Astrology chart in triangular form...

We see the similarities between them and that Leo the Sun God is the all seeing eye. The golden planet rules Leo ..... the tops of the pyramids were covered in gold at the peak at one time.... to reflect the Sun perhaps. x

More Layers in the Aspects of the I Ching Shapes

In the image above we see only the aspects lines of the linear 6/6 - 2/2 Metal/Earth crystal in red and the 1/1 - 9/9 Fire and Water crystal in blue...... the square at the centre is made up from the points of the central diamond crystal. The double and 8/4 - 7/3 crystal have been left off the map for clarity.

So the pattern we see above is Saturnian just one line denoting three codons of DNA. We can now add a little Jupiter to that and expand.

I will use my own blue horizontal line which appears in the Fire quadrant or top right hand corner. It is blue as it appears in the Water crystal and linear because it appears as one straight horizontal line. As those of us who grow roses know the vertical lines grow upwards and then we pull them down into a horizontal and from those horizontals the roses grow yet more verticals which give us rose growth. Together they work well so perhaps the horizontal blue line in T’s Fire quadrant couples up with the horizontal line of the C Water quadrant to make a cross or crucifix. For now we will concentrate on my own codon TGC 1/7 in Nine Star Ki.

The line my codon appears on is 1/3 - 1/9 - 1/7 if we draw this line to line within a crystal we create an aspect shape between the points within the crystal which is 60* x 150* x 150* or The Magician shape. The Magician points to three codons which then go on to create three more triangles in this case two Ruminators and a Lecturer. The Magician is not a codon but a marker of the three codons positions on the points of Aries, Gemini and Scorpio, putting the spotlight on the first and second houses.

These images show the crystal of 1/1 - 9/9 and The Magician within it from these three codons and then each of those codons produce an aspect shape of their own.  So the thin blue line creates a triangle within the crystal then each of those points creates another triangle which could be said to be hanging from the blue line. The musical notes all three of these triangles make create music in A major.

TAT - TGC - TAC ............ take the first, second and third letters of these codons and you re-create TGC and the same laws apply if you put them in a different order so more relationships to each other here.

TAT is on the Aries point -  Virgo point and Sagittarius point.
TGC is on the Aries point -  Libra point and Pisces point.
TAC is on the Aries point - Virgo point and Pisces point.

Aries, Virgo, Libra, Sagittarius and Pisces connect with this horizontal line.  Finally you can see from the above image that the lines are pushing the I Ching around in an anti-clockwise manner.

So much to see from just one point in The I Ching. X