Here we have a piano keyboard with lines of varying length…..
Short green line 30* semisextile or Minor 2nd
Longer green line 150* Quincunx or Perfect 4th
Short blue line 60* sextile or Major 2nd
Longer blue line 120* Trine or Major 3rd
Short red line 90* square or Minor 3rd
Longer red line 180* opposition or Tritone
Purple Line 210* Inconjunct or Perfect 5th
You can lift any line up and move it across from one note to another and it will still remain what it is described as.
I try to keep the lines within the one octave and only two lines are required to make a DNA Codon. E.g.
AAA is a Major 3rd blue lines from the first A to the second A then another Major 3rd blue line can go from 2nd letter to third letter and that will create three notes/letters of a DNA Codon.
To create the aspect shapes however it would only have two lines and still needs that last line from 3rd note back to the first note and then you would have a Grand Trine. The dilemma I have is do I go backwards on the keyboard to return from third A to first A or do I go into the next octave to get the final line. That is still debatable. With a birth chart you only get the 12 sections you don’t move into another circle and the pattern needs to grow moving from left side East down to North at the bottom up to West midway up to the top or South and finally returning to East to close. That is only possible if you go around the outside of the circle and do NOT cut through the centre of the chart. If you do not move this way the 210* aspect is lost and becomes just another 150* which it is not.
Take TCG First letter T Aries draws a line of 210* to second letter C Scorpio then a line of 90* to G Aquarius for the 3rd letter but it needs to draw another line from G back to T in order to close the triangle with a line of 60* this then becomes a Teacher aspect. In drawing this triangle though I have to move into the next octave to create the 60* T closer. A closer look at this to follow. X Enjoy your thinking x
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